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  • Studies in Strindberg

    Michael Robinson

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    In this volume Strindbergs accomplishments as a dramatist are set against his achievements in other fields, as an autobiographer, painter, letter writer and theatre director.There are studies of individual plays, in which Strindbergs theatre is related both to naturalism and the theatre of the absurd, and of the role played by his life-long interest in historical drama. Other essays range from studies of the problems posed by Strindbergs preoccupation with converting his own life into literature to a consideration of the importance he placed on letterwriting as a model for writing of all kinds. His letters are also used to explore his ideas about the theatre. A recurring concern is with the period of turmoil known as the Inferno Crisis, in which Strindberg refashioned himself as a writer. Robinson examines the importance of Strindbergs painting for his renewal as a writer and situates the achievement of his later works in relation to Symbolism and to Musical Expressionism.


    How to cite this book
    Robinson, M. 2013. Studies in Strindberg. London: Ubiquity Press. DOI: https://doi.org/10.5334/bac


    This is an Open Access book distributed under the terms of the Creative Commons Attribution 4.0 license (unless stated otherwise), which permits unrestricted use, distribution and reproduction in any medium, provided the original work is properly cited. Copyright is retained by the author(s).

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    Published on May 15, 2013







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